An Ongoing Exploration into the Many Worlds of Early 20th-Century Escapist Literature

An Ongoing Exploration into the Many Worlds of Early 20th-Century Escapist Literature -- Crime and Adventure, Fantasy and Science-Fiction, Horror and Weird
Showing posts with label Fascists. Show all posts
Showing posts with label Fascists. Show all posts

Monday, November 18, 2013

Rogue Male -- Geoffrey Household (1939)

Hello readers, Bill here, taking (as I said I would) a break from The Big Book of Adventure Stories.  Finding it easier and more convenient to read on my Kindle while my girlfriend was asleep during this past weekend (not to mention less likely to wake her) then to pull out The Big Book, I took the time to read Geoffrey Household's classic novel Rogue Male, having downloaded it for my Kindle on the recommendation of Sai S over at Pulp Flakes.  It quickly proved to be worth far more than the pittance I paid for it on Amazon, but I feel like I'm getting ahead of myself here.  Let's take a look at the book itself!

Our narrator, an unnamed British sportsman and big-game hunter of undefined social standing but circulating in the some of the highest of London's social circles, decides to take a trip into Central Europe, Poland and surrounding environs, for a little light hunting.  While there, he decides to take a detour into an unnamed country currently in the thrall of a totalitarian dictator (which is totally NOT Nazi Germany under Adolf Hitler, wink wink nudge nudge) for a little bit stronger a diversion; to see if it's possible to use his hunting skills to get close enough to the dictator to get him in his crosshairs.  He has no intention of shooting the dictator; just a little sporting stalk.

Immediately after centering his crosshairs over the dictator's chest, our narrator is found and beaten into submission by the dictator's bodyguards and secret police.  Finding his story that he was just pointing a gun at Hitler to see if he could a bit unbelievable, our narrator is tortured and the decision is made to throw him off a cliff and make his death look like an accident.

Surviving the fall but with one eye and both hands ruined, our narrator begins to slowly work his way to safety, pursued across Europe and even into the heart of England by the Gestapo.  Much like the fox fleeing the huntsman's hounds, our narrator is forced to go to ground quite literally, burrowing into the earth to hide from his pursuers.

Effectively buried alive, he contemplates the events that have brought him to this point, and realizes that ultimately he did intend to pull the trigger and end Hitler's life.  Emboldened by this revelation, he steels himself to fight back against his oppressors...

Rogue Male was exactly what I needed after an absolutely hellish week at work (that may be spilling over into this week as well).  The writing is light and airy, and easy on my tired brain after a long day at the office. This lightness is deceptive, however; the book is tightly plotted and the tension is so thick you could cut it with a hatchet.  The book absolutely grips the reader and holds them, spellbound, as the narrator's nerves are stretched to the breaking point and beyond.  Truth be told, the only thing that compelled me to put the book down at all was being too exhausted to focus my eyes on the words.  Were this a weekend where I'd had no other obligations, I think I would have sat down and read the entire thing on a Saturday afternoon.

Check out Rogue Male.  Seriously, it's just that good.


Monday, November 11, 2013

"Peace Waits at Marokee" -- H. Bedford-Jones (ADVENTURE, November 1940)

I hope you'll forgive me, readers (or reader, as the case may be), if I break from my self-appointed schedule of one post per day for a bit; I'm working eleven days straight this week, long hours, to complete a special project at work, and I'm currently eight days in without a break.  This will be followed by a three-day weekend during which time I'll be with my girlfriend, and as such won't be spending much time on the computer.  That being said, today's story is from the pen of H. Bedford-Jones, often called the "King of the Pulps" for his prolific output -- somewhere in the vicinity of 1400 short stories and 80 novels, but who's counting? Set during the Second World War in North Africa, "Peace Waits at Marokee" was originally published in Adventure magazine in November 1940 before being reprinted here, in The Big Book of Adventure Stories.

By some small miracle, gunner Jean Facini escaped death in a fiery plane crash, guiding the plane in to a blind landing, managing to extricate himself from the plane before it burst into flames.  As he watches it burn, another plane - an English bomber - comes to a crashing halt nearby.  Three men tumble out, and introductions are simple: ANZAC pilot Jock Erne, reserved photographer Lance, and Cockney gunner Hawkins.

Bandaging their wounds, the four men decide to set out for the English outpost at Marokee; three days' hike across the burning desert sands, but it's their one hope for survival.  However, what the three Brits don't know is that Facini is a Fifth Columnist; while technically a Frenchman, he's Savoyard French, and would like nothing better for the Savoy to be returned to Italian control.  And he knows that Marokee was taken in a surprise attack by the Italians two days ago...

I don't have a huge amount to say here; not because the story's not good or not interesting (it is, in fact, absolutely gripping) but because I'm not familiar enough with spy fiction during this period to comment knowledgeably about its place in that lineage.

And arguably, while ostensibly a spy story and a war story, there's little emphasis placed on Facini's Fifth Column activities or the war itself; it's a story about men from two sides of a conflict (albeit unbeknownst to most of them that this is the case) forced to put aside their differences and work together against a common enemy - in this case, the desert with all its hazards; heat, dehydration, sunstroke, scorpions, jagged rocks...

Facini is our viewpoint character, and rather than being simply a two-dimensional sneering villain, he's shown to be a relatively complex character that ultimately garners our sympathy and even admiration.  We're given enough to get an idea of what led him to side with the Fascists - dissatisfaction with French rule of his province and a desire, most likely fueled by nostalgia - not his own, as he's depicted as too young a man to remember a time before French possession of Savoy, but perhaps based on wistful reminisces of older family members as well, perhaps, as an idealized unified Italian state as envisioned by Garibaldi at the same time as the French annexation.

Given his output, I'm sure I'll be seeing a lot more from H. Bedford-Jones to come in writing this blog.  I'm looking forward to it.