An Ongoing Exploration into the Many Worlds of Early 20th-Century Escapist Literature

An Ongoing Exploration into the Many Worlds of Early 20th-Century Escapist Literature -- Crime and Adventure, Fantasy and Science-Fiction, Horror and Weird
Showing posts with label Clark Ashton Smith. Show all posts
Showing posts with label Clark Ashton Smith. Show all posts

Friday, November 1, 2013

"The Seed from the Sepulchre" -- Clark Ashton Smith (WEIRD TALES, October 1933)

For those who are aficionados of such things, the "Holy Trinity" of Weird Tales authors are generally reckoned as H.P. Lovecraft, Robert E. Howard, and Clark Ashton Smith. Beginning his career as a poet with a macabre and fantastic bent, Smith was encouraged to turn his hand to prose fiction by Lovecraft, with whom he maintained an extensive correspondence over the years (though to be fair, everyone Lovecraft corresponded with ultimately ended up with an enormous volume of letters having been sent back and forth).  Smith's work lacks the grim goriness of Howard or the bleak cosmic outlook of Lovecraft, and instead brings a touch of fantasy or whimsy to the darkness; while many of his tales were fairly straight forward stories of ghouls, ghosts and extraterrestrials, quite often his stories would take unusual turns or contain hidden jokes (for example, in "The Seven Geases," the subhuman Voormis dwell in caves on Mount Voormithadreth - which sounds an awful lot like a lisped 'Voormis' address'). Today's story is more of a straightforward piece of macabre adventure, and can be read here.

James Falmer and Roderick Thone, professional orchid hunters, decide to try their hand at another profession -- treasure hunters.  Hearing rumors of a crumbling ruin raised by forgotten hands, deep in the jungles of Venezuela, in which unimaginable quantities of gold and silver have been buried, they set off in search with two local guides.  Thone is laid up with fever a day's trip from the ruin, and Falmer presses on ahead.  He returns withdrawn and taciturn, initially only saying that he'd found the ruin but that legends of treasure were false.

As a fever grips him, Falmer becomes more talkative; he explains, frenzied and horrified, that in the great pit that served the people of that ruin as an ossuary, he encountered the dried remains of some monstrous plant, its roots and vines threaded through multiple human skeletons, apparently having sprouted from the bodies of the dead; brushing against it, he got a face full of some grayish powder, like spores of some sort.  And now the pain in his head is becoming unbearable, like something inside trying to get out...

At first glance, this is a fairly straightforward Weird Menace story with human protagonists struggling to survive against a killer plant.  But looking beneath the surface suggests that there's a lot more going on here.

First off, it's kind of really left to the reader to decide if there actually is a killer plant that roots itself in the human brain and then threads its vines through the entire body.  Both men are stricken with tropical fever during the story, and the killer plant could very well be the result of delirium and hallucinations brought on by disease, dehydration and who knows what else.  Is the plant rooting its way through Falmer or is he slowly dying of some nameless disease up a forgotten tributary of the Orinoco? Thone is our viewpoint character here, and he's bedridden with fever from the very beginning of the story - hardly the most reliable of narrators.

But, assuming the plant is real, Smith gives us some tantalizing hints about its nature - and then leaves the reader to draw their own conclusions.  Falmer describes the ruins as resembling no civilization's he's seen, and as being like something from another world.  Perhaps they are.  Perhaps they were raised by inhuman hands in some unimaginably remote epoch of Earth's past, and the plant was something that came with them from some other world to Earth.

Or maybe they're not alien; maybe it's some strange development, some quirk of evolution deep in the jungle that had its chance, didn't quite make it, but left a viable seed pod, buried in the ossuary, waiting to be disturbed and dispersed to try again.  In a world where there are plants that smell like rotting meat to attract flies as pollinators and plants that trick prey into climbing into a vat of digestive fluids, whose to say a plant that survives by rooting itself in animal tissue and feeding on that is unrealistic? And after all, there's no reference to the bones the plant had been rooted in being non-human...but, to play devil's advocate, there's also no firm evidence to suggest the people buried in the ruined city are its original builders.

Now I'm just going back and forth and it's making my head hurt.


Saturday, October 19, 2013

Opening the Library

Hello, I'm Bill, I'm 26, have a BA in history and am far too deeply in love with all things "Pulp" then is to be expected of someone my age.  I grew up reading Edgar Rice Burroughs, especially the John Carter stuff, from a very early age (in 5th grade I did a book report on A Princess of Mars!), later got into Robert E. Howard, H.P. Lovecraft, Clark Ashton Smith and that whole gang, and I'll take swords-and-sorcery over Tolkienesque high fantasy any day, and Weird, atmospheric horror over the latest slasher movie as well.  Then I started reading reprints of The Shadow and Doc Savage when I could get them.  More recently, I've begun dipping my toes into hardboiled detective/crime fiction - I'll take Dashiell Hammett over Chandler, I think, and both of them are an order of magnitude above Spillane.

I've spent five years writing a blog reviewing horror movies, and I'm ready to change things up.  I'd like to bring what I learned reviewing movies, as well as my history degree (since lord knows I'm not using it for anything that pays the bills), to bear talking about the cheap, disposable literature I enjoy so much.  No high-fangled literary criticism here -- I don't have the background for it.  Just discussions of what I've been reading and what I think of it.

Say hello.  I don't bite.